2DArtist Issue 54 June 2010 issue 54 by 3DTotal.com

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Extra resources for 2DArtist Issue 54 June 2010 issue 54

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Rest be enveloped by dark shadows. A great example of this is Caravaggio, the tennis- Also, I decide to make the metallic arm more of playing-ruffian-master-painter. a figure; creepier like that. I suppose this about wraps it up folks. The piece is resolved well enough. It tells a story I further spruce up the lights around the I also change the buildings on the right because and hopefully is engaging enough to hold the hologram (same technique as before - Overlay I’m thinking they’re too cluttered so I simplify viewer‘s attention for at least a few seconds.

In this step I introduce a lot of intricate detail to the dock platforms. They don’t have to be completely defined, just as long as they give an idea of what might be happening there. 09). Almost there! This is a cleaning up stage where I wash out some of the areas that I don’t want to draw attention to. I also introduce more contrast by using a new layer in Color Dodge mode and paint to enhance the light hitting the objects. Remember to use dark saturated colours first and then slowly use lighter ones without burning the image too much.

I also add as a whole it all makes enough sense to be muck of the place, as a result establishing a machinery and buildings to the side foreground, believable. 05). Next I start to think about the color pallet. Still For color, I paint on a new layer and vary the sticking to the Airbrush and varying between blending of the layer between Normal, Multiply, It’s not important to make sense of all that’s hard edge and soft edge, I’m thinking of a Overlay and Soft Light, depending on what best there.

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